"Zingara (Il Cattivista) è una canzone atipica.
Si tratta sì del terzo
singolo e video estratto da "La Terza Guerra Mondiale", ma è anche -a
tutti gli effetti- un esperimento sociale.
Il testo è stato scritto per
buona parte direttamente dagli Italiani; abbiamo messo in rima dei
commenti pubblicati sotto ad alcuni video caricati su Youtube mettendo
"Zingari" come chiave di ricerca.
Quelli "meno pesanti" sono diventati
buona parte del testo della canzone, mentre quelli che non abbiamo avuto
il cuore di cantare fanno parte del video che la accompagna.
È troppo?
Vi disgusta? La trovate di una cattiveria gratuita? Meta-qualunquismo?
Forse, ma rimane per noi una fotografia (di guerra) del paese in cui
viviamo, una fotografia che speriamo serva magari per guardarsi allo
specchio"
Appino, Ufo, Karim.
😱😰
"Gypsy (The Cattivista) is an atypical song.
These are indeed the third single and video excerpt from "World War III", but it is also -a all Effects- a social experiment.
The text was written for the most part directly from the Italian; We put in rhyme of comments under some Youtube videos putting "Gypsies" as a search key.
Those "less heavy" have become a large part of the lyrics, while those who have not had the heart to sing the part of the video that accompanies it.
It's too much? You disgust you? The find of a malice? Meta-indifference?
Maybe, but it remains for us a photograph (of war) of the country in which we live, a photograph which we hope will serve perhaps to look in the mirror "
"Gypsy (The Cattivista) is an atypical song.
These are indeed the third single and video excerpt from "World War III", but it is also -a all Effects- a social experiment.
The text was written for the most part directly from the Italian; We put in rhyme of comments under some Youtube videos putting "Gypsies" as a search key.
Those "less heavy" have become a large part of the lyrics, while those who have not had the heart to sing the part of the video that accompanies it.
It's too much? You disgust you? The find of a malice? Meta-indifference?
Maybe, but it remains for us a photograph (of war) of the country in which we live, a photograph which we hope will serve perhaps to look in the mirror "
